Mise en scene (Lighting) For Titan.

 Lighting

(I don't exactly know how to describe this so i'll be showing you how it will be implementing within the film opening instead.)

Remote scientific facility- NIGHT

Low-key lighting dominates the scene. While an ominous moonlight produces prolonged strangely sinister shapes throughout the compound. Security warning lights on the fences flash occasionally with red light in a pattern that maintains tension throughout. The building complex demonstrates an ominous presence due to its fluorescent exterior illumination which produces a clinical and distant atmosphere. The trees around the facility present a dark picture because their silhouettes cannot be clearly seen beneath the scarce moonlight. 

Laboratory area- NIGHT

The laboratory rooms contain white light from fluorescent bulbs which creates an unsettling harshness while extending an unnatural sterility across the area. The glass capsule where they keep the creature shines with a sickening greenish-blue emission which suggests the entity produces unstable power. The control panels create a cool blue and red illumination that stands against the overhead bright lighting. A slight flickering of laboratory lights warns of the rising strength of the creature as it begins to move. When the creature moves shadows stretch in abnormal ways across room walls while generating discomfort.

Breakout scene- NIGHT

A power surge triggers the unexpected flickering of lights after the creature hits the glass wall of its enclosure. When the tank shatters the lights become instantaneously black before emergency red lighting illuminates the whole area. The electrical panel sparks generate strobe lighting that produces sudden flash bursts through the room while simulating the frightened scientist movement patterns. The destitute illumination inside the darkness stems from the creature displaying its laser red-colored eyes.

City streets- NIGHT

The machine generates chaotic explosions that devastate street lights to create total darkness across several city blocks and the fires burning from destroyed cars and broken gas lines illuminate the scene with red-orange light. The creature's form appears through shattered windows of skyscrapers that produce scattered reflections. Through fire and shadows the monstrous figure carries itself across the road as exposure to light reveals limited parts of its body. The moving beams of helicopter searchlights intermittently display parts of the hidden beast which creates tension through limited visibility of its shape. When the final roar from the skyline ceases the city becomes completely blackened by darkness except for the distant red firelight and emergency illumination before we reach the end of the sequence. 

Overall lighting concept- The film opening will show a step-by-step evolution of lighting from the clinical man-made laboratory illumination through the disorganized red emergency lights during the escape and concludes with the-city-under-attack backdrop featuring both power outages and fires. Visual storytelling transforms from orderly conditions to panic to complete destruction which strengthens the growing threat of the creature in addition to setting up the film's main tone.

(if it isn't obvious, godzilla is the main influence of this film opening.)